Analyzing
Rhetorical Methods in Gatrell’s “Villages of Discipline”
In any effective communication, audience consideration,
ultimate author purpose and the application of applicable contexts combine to
create meaning. In chapter seven of The Making of the Modern Refugee “Villages
of Discipline”, historian Peter Gatrell explains the deficiency his
communication will rectify, builds credibility and emotive sympathetic connections between the audience
and the affected through eyewitness accounts in order to inform his audience of
the plight of South-East Asian refugees.
Gatrell adheres to a foundational rhetorical tenant by
introducing the main deficiency in the historical record that this chapter will
address. He explains that although the regional conflict has “filled the pages
of the global mass media” that the “experiences of the refugees…presently
command[s] scant attention” (Gatrell, 203). By doing so, he establishes that
his argument is necessary, relevant, and propels the reader to move forward.
Gatrell understands that the rhetorical appeal of ethos
(credibility) is fundamental to effective communication. Rather than inform by
narrative alone he introduces the first-hand accounts by eye-witnesses. There
is the Thai ex-army colonel who “painted a picture of degradation” in the
Sikhiu camp (208). An 11-year-old refugee describes a camp as “hell” where poor
housing, rats and thieves abound (210). An elderly woman relates how she moved
thirty times before arriving at the “village of discipline” (212). The author
purposefully blends these accounts with the historical narrative in order to
build validity.
A byproduct of this approach is the impartation of the
emotional appeal (pathos) in order to highlight the human experiences relating
to South-East Asian population displacement. The audience is motivated to
construct an empathetic bond with the displaced beyond the mediated conflict
reporting that historically has overlooked this important element.
Gatrell masterfully employs the “rhetorical triangle”
comprised of the writer, the context, and the audience in order to construct a
meaningful addendum to the discussion of refugee within the historical record.
Works
Cited
Gatrell, Peter. The Making
of the Modern Refugee. Oxford, UK: OUP, 2013. Print.
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